They're Only Bees
May 18th, 2010

4uck 0ff

Little things annoy me. You might have noticed.

Big things annoy me too – like pointless wars and the way there’s not a colony on the Moon built especially for me so I can run around with a mirror, pretending to be Sam Rockwell – but the little things far outweigh the big things by hundreds to one. I hate the way the stapler that sits on my desk doesn’t always work properly and I can’t fathom a reason why. The fact that I have a job where I’m required to sit at a desk and use a stapler also annoys me, but I feel that complaining about it is silly as it pays me enough to sustain a fairly comfortable life. I don’t like that I’m not a successful writer, but as I’ve not quite finished my first book (or pimped it out to any publishers – at all), and my only real body of work consists of these boring tirades, I’m not surprised I don’t have a working relationship with Charlie Brooker and/or Stephen King. Still, I tend not to allow any of those perfectly acceptable, logical reasons to hinder my ire, and I end up filling the internets with words. Though not as often as I feel I probably should. Which is also a gripe of mine.

That last paragraph served to big myself down to a point where you’re expecting me to start shouting about anything, no matter how trivial it might be in the grand scheme of things. I wanted to drop the readers expectations to a level where I could start complaining about the way microbe-sized dust mites are often unfairly short with each other in conversation, and generate only tiny amounts of surprise. Lots of disdain, maybe, but you’d carry on reading anyway if you made it this far.

When aiming my tiny little anger-crossbow, I had planned to puncture holes in the marketing types who seem to believe numbers are a perfectly suitable replacement for letters in words. For example, the upcoming game F3AR (or, FEAR 3 as I’ll call it) is stupid beyond even their usual standards, and not just because it looks ridiculous. The name ‘FEAR’ itself comes from the first letters of ‘First Encounter Assault Recon’, which in itself is a cheap and tacky excuse to give your scary-game-with-guns-in a name that seemed appropriate. For some unknown reason, just calling it Fear couldn’t be justified – so they retarded it up a bit. Now, it’s been ‘stylised’ to read First 3ncounter Assault Recon. I understand that the number 3, when typed, looks a little like a drunken, spazzy version of the letter E backwards, but did you really think it through? How do you even say that? I know, I’ll pronounce it as ‘Fear’ thereby making all of their efforts (and therefore my argument) moot and pointless.

I was going to talk about that, and mention the new Alton Towers ride ‘Th13teen’, which is ridiculous. Though I’m not condoning the bastardizing of the English language, there was a time when numbers only replaced letters when they still stayed phonetically acceptable – late became l8…for mutated annoying into 4…by that rule, ‘Th13teen’ should be vocalised as Ththirteenteen. Which makes the speaker come off as brain damaged; the monorail copped-out and just called it ‘Thirteen’, further enhancing my theory that inanimate objects are more sensible than marketing executives.

But I won’t write about that. It’s a ‘thing’ that’s been going on for years, and it will probably be a fad that sadly outlives me. Why anyone feels the need to ‘mix’ things up a bit’ with a language that’s existed perfectly well for centuries, goig through natural progressions and changes, forming the way we speak and communicate today – is beyond me. It feels forced, led by people who have slogans and brand names tattooed clumsily onto their shrivelled little souls.

So what’s the point. I’ll switch my brain off again now and get back to w0rk.

(P.S. – I’ll forgive this fad and embrace it with open arms if anyone can convince Danny Dyer to legally change his name to D4nny Dy3r. That would be very funny indeed).

May 2nd, 2010

Musings from the poetic pen of Marteth McGovern

YOU MAKE PLANS AND THEN LIFE GETS IN THE WAY

Good grief my friends, has it REALLY been two months? Sixty some days since M-McGuv last put pen to page, sharing his idiosyncratic ideals and inklings with the PC community? Forgive me, dear reader, for one has been bereft of free time, thrust instead head first into the mechanical manipulation of the redundant responsibilities of the real world.

Not that I should worry of course, it’s hardly as if my sporadic blogging has instigated a revolt of any kind. The streets display a distinct lack of ‘MartyMania’ tees and my slender mug remains as anonymous as ever. Yep, my electronical musings are about as essential as my past due prophylactic during those agonising initial evenings out when I first hit that most desired of ages, seventeen. Still, my insatiable ego must be placated and as such I mark my return with an appropriately absurd homecoming. Welcome to my latest creation: MUSINGS FROM THE POETIC PEN OF MARTETH MCGOVERN!

Naturally, some bright spark in the cheap seats will be outraged by my conceited bravado, hurling obscenities at the innocent images reflected by their Packard Bell powerscreens.

“Oi, McGovern,” they’d sneer, “I thought you were hard at work on that there multi-part novelization of your (mis)adventures whilst travelling abroad?” (see my last OnlyBees entry in February, go on…please). Well, it would certainly explain the absence. Alas, I am simply cracking the glass, announcing my reintroduction much like a prizefighter participating in an exhibition bout before the big title clash. I still have lofty plans for my much promised memoirs, just give a guy a break safe in the knowledge that when I do deliver said journals they shall be all the more classic for the extra preparation.

What I’m here to discuss today is that eternally attractive attribute: Originality, or, more fittingly, the lack thereof in modern society, specifically in the current celluloid community.

While I would struggle to call oneself a Pop Culture connoisseur, I certainly consider my perceptive capabilities competent enough to sift through the thousands of feeble fakesters in today’s creative climate, selecting the true artists that apply what should be the number one priority in any inspired endeavour, originality.

Woah now fella, the Marty we all know and love is a sweet natured sensitive soul, a gentle giant who daren’t say ‘shoo’ to a Goose. Where has this venomous onslaught stemmed from? Gosh, I suppose one of the main reasons for this incendiary inking is that I’m just so darned tired of callous retreads and clumsy rehashes. I will spare you all the obligatory ‘When I were a lad…’ speech, after all, I am yet to hit thirty and would bet my spleen that my opinions and views are still wholly relevant. Now more so than ever I’d wager. No, what concerns moi is the blatant plagiarism of previously well-produced and delightfully delivered motion picture marvels.

Examples?

Oh, I got ‘em. Hell son, I got a million of ‘em.

Hellywood (clever, right?) must be runnin’ on empty. What other plausible explanation could possibly exist for my television set flaunting classless trailers for a new ‘Nightmare on Elm Street’ flick? This needless instalment is bolstered by a certain to be chilling performance provided by Jackie Earle Haley. A five foot five character actor whose career highlights include sterling turns in The Waltons, Murder She Wrote and, most impressively, The Love Boat. WHAT??!! Robert Englund WAS Freddie Krueger. Admittedly his career choices have been somewhat questionable since last donning the iconically menacing mitt but nobody could bring such terror, malice and indeed comedy to the boiler room beast.

And how’s about that dynamic director Steve Carr? What’s that? You aint never heard of him? You mean to say you don’t recognise this revolutionary reel rebellionists contributions to modern cinema? Why, he artistically crafted such recent silver screen staples as ‘Dr Dolittle 2′ ‘Daddy Day Care’ and that cautionary comment on a sinking society ‘Paul Blart:Mall Cop’. Not content with shoving the pitiful shallow shell of his former self that is a post-millennial Eddie Murphy down our gullets, he has now made the profound decision to helm a ‘re imagining’ of ‘Short Circuit’. I can only assume the fiercely intelligent sentient robot will still possess the enviable abilities of super fast reading, unintentional crime thwarting and cutting edge street slang that we all thought peaked with “Hey laser lips, your Mamma was a snow blower”! What’s to re imagine?

Honestly, where is the next wave of inspired film-makers, those few true originals aiming to make a splash seldom seen since the days of a young Scorsese or Hitchcock?

Rather depressingly, this torrid trend appears set to continue for the foreseeable future. Reboots of ‘The Karate Kid’, ‘Rosemary’s Baby’ and even ‘Oldboy’(!) are all waiting in the wings, set to limp out to a largely diminished audience not to mention underwhelming box office returns. Perhaps the only beacon of hope on rehash hill is ‘Robocop’, currently being tackled by the usually untouchable Darren Aronofsky. Although his curriculum vitae boasts such terrific treasures as ‘Requiem for a Dream’ and ‘The Wrestler’, I still don’t hold out the highest of hopes for this controversial selection by arguably one of the most original directors of the past decade.

Looks like we are gonna have to ride this one out film fans. This despicable downturn aint goin’ away anytime soon. On the bright side, at least we have many a comical acceptance at The Razzies to look forward to. The ultimate in dishonourable mentions that should shame those Hollywood head honchos into, oooh, I don’t know, throwing their money at a cinematic vehicle that actually has wheels. Sadly, I can only imagine the complete opposite will occur and we shall be subject to that hideous oaf Tom Green’s return in ‘Freddy Got Fingered…again’!

Until next time my beautiful beekeepers

Yours handsomely

Marty McG














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